Gone in Sixty Seconds (2000)
October 29th, 2009
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Kip Raines, a young car thief, was contracted to steal 50 specific cars but something went wrong. Now the man who hired him, Raymond Calitri, wants his head. When his brother, Memphis, once a great car thief, who retired a few years ago, learns of this, he comes back to town to see if he can help his brother. The only thing that will appease Calitri is if the order is fulfilled. So Memphis has to assemble his old crew, and he has to do the job in a few days. And a cop who hounded him, upon learning of his return, is keeping an eye on him. And another car thief, whom he competed with before wants to get the Calitri job, and is telling Memphis to back off, but he won’t.
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Ben Affleck’s adaptation of Dennis Lehane’s novel -Gone, Baby, Gone stars Casey Affleck as Patrick Kenzie, a private investigator from working-class Boston who takes on a case involving a kidnapped girl. The girl’s aunt begs Patrick to take the case because he has connections to criminal Boston that the police do not. He agrees and along with his partner, Angie Gennaro (Michelle Monaghan), they uncover a web of corruption that threatens the relationship between the two. Ed Harris and Morgan Freeman co-star as members of the Boston Police Department.
It was no ordinary life for a young girl: living among scholars in the hallowed halls of Jordan College and tearing unsupervised through Oxford’s motley streets on mad quests for adventure. But Lyra’s greatest adventure would begin closer to home, the day she heard hushed talk of an extraordinary particle. Microscopic in size, the magical dust- found only in the vast Artic expanse of the North -was rumored to possess profound properties that could unite whole universes. But there were those who feared the particle and would stop at nothing to destroy it. Catapulted into the heart of a terrible struggle, Lyra was forced to seek aid from clans, gyptians, and formidable armored bears. And as she journeyed into unbelievable danger, she had not the faintest clue that she alone was destined to win, or to lose, this more-than-mortal battle… 
Dedicated to Tomoyuki Tanaka (1910-1997), who produced the 1954 original and sequels, the Devlin/Emmerich interpretation displays a redesign of Godzilla, now a large lizard mutated after fallout from French nuclear tests. A blinding flash of white light fills the Eastern sky. Thousands of miles away, the Pacific Ocean churns, engulfing a freighter. On another part of the globe, giant footsteps plow a path through miles of Panamanian forests, Tahitian villages, and Jamaican beaches. In the Ukraine, biologist Dr. Niko Tatopoulos (Matthew Broderick), with the U.S. Nuclear Regulatory Commission, is examining the impact of radiation on Chernobyl earthworms. Colonel Hicks (Kevin Dunn) and a military team escort Niko to check out giant claw marks on the beached freighter; they’re joined by paleontologists Elsie Chapman (Vicki Lewis) and Mendel Craven (Malcolm Danare). Blood and giant-size footprints indicate “some sort of enormous reptile.” French secret agent Philippe Roache talks to the freighter’s only survivor, who keeps repeating, “Gojira…Gojira.” Tatopoulos et al arrive in Manhattan’s Fulton Fish Market where Godzilla surfaces, moving on to the NYC financial district where Mayor Ebert (Michael Lerner) is speaking. Ambitious Audrey Timmonds (Maria Pitillo), who works for TV news anchor Charles Caiman (Harry Shearer), is Niko’s former girlfriend, and she uses this to her professional advantage. As the wave of destruction continues, Niko and Roache track the creature through the evacuated city and discover Godzilla’s eggs about to hatch in Madison Square Garden. They are followed by Audrey and TV cameraman Victor “Animal” Palotti (Hank Azaria), and soon the hatching Godzilla offspring prowl the Garden corridors, leading to a final showdown.
In the final instalment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family’s interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone’s finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protoge’s love affair with his daughter.
Francis Ford Coppola’s legendary continuation and sequel to his landmark 1972 film, The Godfather, parallels the young Vito Corleone’s rise with his son Michael’s spiritual fall, deepening The Godfather’s depiction of the dark side of the American dream. In the early 1900s, the child Vito flees his Sicilian village for America after the local Mafia kills his family. Vito (Robert De Niro) struggles to make a living, legally or illegally, for his wife and growing brood in Little Italy, killing the local Black Hand Fanucci (Gastone Moschin) after he demands his customary cut of the tyro’s business. With Fanucci gone, Vito’s communal stature grows, but it is his family (past and present) who matters most to him — a familial legacy then upended by Michael’s (Al Pacino) business expansion in the 1950s. Now based in Lake Tahoe, Michael conspires to make inroads in Las Vegas and Havana pleasure industries by any means necessary. As he realizes that allies like Hyman Roth (Lee Strasberg) are trying to kill him, the increasingly paranoid Michael also discovers that his ambition has crippled his marriage to Kay (Diane Keaton) and turned his brother, Fredo (John Cazale), against him. Barely escaping a federal indictment, Michael turns his attention to dealing with his enemies, completing his own corruption.
The story begins as “Don” Vito Corleone, the head of a New York Mafia “family”, oversees his daughter’s wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father’s business. Through Michael’s life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don’t want to follow the old ways and look out for community and “family”. An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don’s influence to further his plan. The clash of the Don’s fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family.
The Jaume Collet-Serra-directed comedy drama Goal! 2: Living the Dream finds star European soccer player Santiago Muñez (Kuno Becker) bumped by his agent (Stephen Dillane) from England’s Newcastle United team to Real Madrid’s Galácticos, where he is thrilled to play alongside field legends David Beckham, Ronaldo, Zinedine Zidane, and others. In off-time, temptation lingers in the form of amorous dalliances with spicy local women, especially the TV hostess Jordana (Leonor Varela) — a relationship that threatens the security of his marital engagement to Geordie nurse Roz (Anna Friel), who has accompanied him to Spain. During his time in Madrid, Santiago also discovers, most unexpectedly and poignantly, what happened to the mother who abandoned him during his early childhood. Alessandro Nivola co-stars as Santiago’s pal Gavin.
Upon the sudden death of Roman emperor Marcus Aurelius, his trusted and successful general Maximus Meridas is unlawfully imprisoned and condemned to the gladiator games by Marcus’ twisted son Commodus. As the new emperor, Commodus fears Maximus could use his heroic stature to depose him and become leader himself. But Maximus gains fame as a gladiator and uses his celebrity to cause further damage to Commodus’ tenuous hold on the susceptible Roman people, hoping to inspire them to rediscover their lost values and overcome the corruption that is eating away at them. These actions prompt Commodus to square off mano a mano with Maximus in the Colisseum with the fate of Rome at stake.
Ricky Gervais and Greg Kinnear star in director David Koepp’s fantasy comedy concerning Bertram Pincus, a dentist who gains the ability to communicate with the dead after momentarily dying during a routine medical procedure. When the dearly departed begin requesting favors from Dr. Pincus, the self-absorbed dentist finds that living with ghosts isn’t easy. Fortunately, recently deceased businessman Frank Herlihy (Greg Kinnear) agrees to keep the dead at bay if Dr. Pincus will just agree to prevent his widow, Gwen (Téa Leoni), from tying the knot to humorless human rights lawyer Richard (Billy Campbell). According to Frank, Richard is just another morally corrupt gold-digger out to take the wealthy Gwen for all she’s worth. At first Dr. Pincus agrees to go along with the ruse, though it isn’t long before he begins to question his supernatural sidekick’s true motivations.