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A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

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For anyone who ever wondered what would happen to our planet should mankind simply vanish, the filmmakers at The History Channel offer a fictional examination of a world where all human activity has ceased, and Mother Nature returns to reclaim what is rightfully hers. A telling visit to the abandoned villages surrounding Chernobyl offers a haunting look at formerly-populated areas completely overrun by flora and fauna just twenty-two years after a nuclear disaster sent citizens fleeing in fear, while a trip to a the islands just off the coast of Maine guides viewers through a series of ghosts towns that have been virtually swallowed up by the encroaching nature. While the pyramids of Egypt could stand forever, would the structures of the modern era have the same, seemingly infinite, structural integrity? Scientists, scholars, and experts in biology, ecology, botany, engineering, archeology, and climatology offer informed opinions on how long the traces of mankind would remain, and vivid computer graphics allow us to witness the unthinkable with our own eyes.

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As co-directed by Mark Linfield and Alastair Fothergill, the nature documentary Earth represents an edited-down version of the 12-hour small-screen miniseries Planet Earth, reslated for cinematic release. The program provides a sweeping 99-minute tour of our home planet’s biosphere — spanning every level of gaze, from the epic (crystal-clear shots of the Earth hovering in space) to the hyper-specific (a mother polar bear and her cubs waking from a lengthy period of hibernation). The film almost exclusively emphasizes the behavior of the animal populations that inhabit the Earth, yet carefully omits shots that depict the more gory predatory behavior of species, rendering it family-friendly. It also employs a chronological approach — beginning in January in the Arctic wilderness, and moving progressively through the four seasons and 12 months comprising a single year, until it hits late December — contrasting various geographic regions of the Earth as shot in various seasons. Above all else, a cautionary message underscores this footage; as in An Inconvenient Truth, the filmmakers continually remind their audience that despite the grandiloquence present onscreen, all may be lost if humankind is not careful.

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