Rescue Dawn (2007)
February 5th, 2010
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In 1965, while bombing Laos in a classified mission, the plane of the German-American pilot Dieter Dengler is hit and crashes in the jungle. Dieter is arrested by the peasants, tortured and sent to a prisoner camp, where he meets five other mentally ill prisoners. He becomes close to Duane and organizes an escape plan; however, the unstable Gene opposes to Dieter’s plan. When they discover that there is no more food due to the constant American bombings in the area and their guards intend to kill them, Dieter sets his plan in motion. However, an unexpected betrayal split the group and Dieter and Duane find that the jungle is their actual prison.
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Director Brian_De_Palma turns his lens on the Iraq War with this “fictional documentary” about the experience of U.S. soldiers involved in the conflict. Based on a news item about the rape of an Iraqi schoolgirl by wayward grunts assigned to patrol a checkpoint, the film depicts a scenario not unlike the one De_Palma covered in Casualties of War. Shot on high-definition video, Redacted also addresses the ever-evolving manner in which war is covered by the media by focusing on such journalistic innovations as blog coverage and web reporting.
Filmmaker Roman Polanski, who as a boy growing up in Poland watched while the Nazis devastated his country during World War II, directed this downbeat drama based on the true story of a privileged musician who spent five years struggling against the Nazi occupation of Warsaw. Wladyslaw Szpilman (Adrien Brody) is a gifted classical pianist born to a wealthy Jewish family in Poland. The Szpilmans have a large and comfortable flat in Warsaw which Wladyslaw shares with his mother and father (Maureen Lipman and Frank Finlay), his sisters Halina and Regina (Jessica Kate Meyer and Julia Rayner), and his brother, Henryk (Ed Stoppard). While Wladyslaw and his family are aware of the looming presence of German forces and Hitler’s designs on Poland, they’re convinced that the Nazis are a menace which will pass, and that England and France will step forward to aid Poland in the event of a real crisis. Wladyslaw’s naïveté is shattered when a German bomb rips through a radio studio while he performs a recital for broadcast. During the early stages of the Nazi occupation, as a respected artist, he still imagines himself above the danger, using his pull to obtain employment papers for his father and landing a supposedly safe job playing piano in a restaurant. But as the German grip tightens upon Poland, Wladyslaw and his family are selected for deportation to a Nazi concentration camp. Refusing to face a certain death, Wladyslaw goes into hiding in a comfortable apartment provided by a friend. However, when his benefactor goes missing, Wladyslaw is left to fend for himself and he spends the next several years dashing from one abandoned home to another, desperate to avoid capture by German occupation troops. The Pianist was based on the memoir of the same name by the real-life Wladyslaw Szpilman; the book was first published in 1946 as -Death of a City, but was banned by Polish Communist officials and went out of print until 1998, when a new edition was issued as -The Pianist.
At the time of its release, this lavish period war drama from hyperkinetic director Michael Bay became the most expensive motion picture ever green-lighted by a studio. Ben Affleck stars as Rafe McCawley, a military pilot stationed under Jimmy Doolittle (Alec Baldwin) in New Jersey, along with his best friend from childhood, Danny Walker (Josh Hartnett). Rafe is chomping at the bit to get involved in World War II, but America has not entered the conflict, so he is forced to fight on loan to the Royal Air Force in Britain, leaving behind his beautiful girlfriend Evelyn (Kate Beckinsale). After Rafe goes overseas, both Danny and Evelyn are transferred to the naval base in Pearl Harbor, Hawaii, where word arrives that Rafe has been killed in action. A grief-stricken Evelyn and Danny become romantically attached, a situation that becomes a lit powder keg when Rafe suddenly reappears, having survived his ordeal in the European war. The Japanese attack on Pearl Harbor puts the romantic triangle on hold, as the best friends are ordered to undertake a top-secret and highly dangerous retaliatory mission to bomb Tokyo, once again under the command of Doolittle. Although the trio of leads are entirely fictional, Cuba Gooding Jr., Tom Sizemore, and Jon Voight (as FDR) co-star in the roles of real-life historical figures. Pearl Harbor is based on a script by Randall Wallace, writer of Braveheart (1995) and The Man in the Iron Mask (1998). Taking a page from the production history of James Cameron’s Titanic (1997), many of the actors and filmmakers involved with Pearl Harbor deferred their usual salaries until the film “broke even” at the box office.
Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema that defined such early fare as Cronos and The Devil’s Backbone with this haunting fantasy-drama set in the aftermath of the Spanish Civil War and detailing the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom. Her mother, Carmen (Ariadna Gil), recently remarried to sadistic army captain Vidal (Sergi López) and soon to bear the cruel military man’s child, shy young Ofelia (Ivana Baquero) is forced to entertain herself as her recently-formed family settles into their new home nestled deep in the Spanish countryside. As Ofelia’s bed-ridden mother lies immobilized in anticipation of her forthcoming child and her high-ranking stepfather remains determined to fulfill the orders of General Francisco Franco to crush a nearby guerilla uprising, the young girl soon ventures into an elaborate stone labyrinth presided over by the mythical faun Pan (Doug Jones). Convinced by Pan that she is the lost princess of legend and that in order to return to her underground home she must complete a trio of life-threatening tasks, Ofelia sets out to reclaim her kingdom and return to her grieving father as Vidal’s housekeeper Mercedes (Maribel Verdú) and doctor (Alex Angulo) plot secretly on the surface to keep the revolution alive.
After various skirmishes, two wounded soldiers, one Bosnian and one Serb, confront each other in a trench in the no man’s land between their lines. They wait for dark, trading insults and even finding some common ground; sometimes one has the gun, sometimes the other, sometimes both. Things get complicated when another wounded Bosnian comes to, but can’t move because a bouncing mine is beneath him. The two men cooperate to wave white flags, their lines call the UN (whose high command tries not to help), an English reporter shows up, a French sergeant shows courage, and the three men in no man’s land may or may not find a way to all get along.
A group of hardened Nazi killers stalk their prey in Nazi-occupied France as a Jewish cinema owner plots to take down top-ranking SS officers during the official premiere of a high-profile German propaganda film. As far as Lt. Aldo Raine (aka Aldo the Apache,” Brad Pitt) — is concerned, the only good Nazi is a dead Nazi. Raine’s mission is to strike fear into the heart of Adolf Hitler by brutally murdering as many goose-steppers as possible, or die trying. In order to accomplish that goal, Lt. Raine recruits a ruthless team of cold-blooded killers known as “The Basterds” which includes baseball-bat-wielding Bostonian Sgt. Donnie Donowitz (aka “The Bear Jew,” Eli Roth) and steely psychopath Sgt. Hugo Stiglitz (Til Schweiger), among others. When the Basterds’ secret rendezvous with turncoat German actress Bridget von Hammersmark (Diane Kruger) goes awry, they learn that the Nazis will be staging the French premiere of “The Nation’s Pride,” a rousing propaganda film based on the exploits of German hero Fredrick Zoller (Daniel Brühl), at a modest theater owned by Jewish cinephile Shoshanna Dreyfus (Mélanie Laurent), posing as a Gentile after the brutal murder of her family by the ruthless Col. Hans Landa (Christoph Waltz). As the Basterds hatch an explosive plan to take out as many Nazis as possible at the premiere, they remain completely oblivious to the fact that Shoshanna, too, longs to bring the Third Reich to its knees, and that she’s willing to sacrifice her beloved theater in the process.
Jarhead (the self-imposed moniker of the Marines) follows “Swoff,” a third-generation enlistee, from a sobering stint in boot camp to active duty, sporting a sniper’s rifle and a hundred-pound ruck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don’t understand against an enemy they can’t see for a cause they don’t fully fathom… Sergeant Sykes is a Marine lifer who heads up Swofford’s scout/sniper platoon, while Troy is Swoff’s friend and mentor, a die-hard member of STA - their elite Marine Unit.
Ten years ago some of the worst atrocities in the history of mankind took place in the country of Rwanda–and in an era of high-speed communication and round the clock news, the events went almost unnoticed by the rest of the world. In only three months, one million people were brutally murdered. In the face of these unspeakable actions, inspired by his love for his family, an ordinary man summons extraordinary courage to save the lives of over a thousand helpless refugees, by granting them shelter in the hotel he manages.
Topper Harley is found to be working as an odd-job-man in a monastery. The CIA want him to lead a rescue mission into Iraq, to rescue the last rescue team, who went in to rescue the last rescue team who… who went in to rescue hostages left behind after Desert Storm. The president is Tug Benson, who also likes to be in on the action. Basically, it’s a send-up of all the big shoot-em-up Rambo/Robocop/T2/ Commando type movies.